The camera stopped being the excuse
Modern iPhones shoot 4K in Dolby Vision HDR with log-style latitude. The limitation was never the sensor — it was the person holding it.
Our Mission
iPhone videography is far more advanced than the world gives it credit for.
SY PRODUCTIONS exists to prove it. We make brand films, commercials and automotive visuals on mobile rigs that hold their own next to full cinema setups — and we do it faster, leaner, and closer to the action.
4K
Dolby Vision HDR capture
ProRes
Log-grade post pipeline
48–72h
Typical delivery window
What we believe
The gear argument is over. The craft argument never was.
Every project we ship is an argument made in footage: a phone in trained hands, with real lighting and a real post pipeline, produces work clients can put their name on.
Craft beats gear budgets
Lighting, framing, movement, pacing and grade decide whether a film feels expensive. We obsess over those, not over spec sheets.
Agility is a creative advantage
A pocket-sized rig means angles a full cinema build can't reach, faster setups, and more takes in the same window of daylight.
Post is where it becomes cinema
ProRes capture into DaVinci Resolve: proper color science, sound design and finishing — the same pipeline as any commercial set.
The collective
Two filmmakers. One standard.
Stivan Yeftich leads brand films, commercials, color grading and short-form storytelling. NikiG runs advanced automotive shoots — rolling footage, detail films and vehicle showcases. Different lanes, same obsession with the finish.
“Shot on a phone” should be a compliment, not a disclaimer.
Sofia / Pernik, Bulgaria — available locally & worldwide